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Film business finds Evansville man busy

Robert A. Wolf stands on his porch and watches me pull into the driveway of his west side home. It’s a beautiful place, surrounded by trees and overlooking a small lake. He comes down the stairs and greets me cordially as I get out of the car before inviting me up the stairs and inside his house.

            Wolf’s recent achievements include the release of his new album, Krakatoa, and the music for two films—James Arnett’s horror film Dead on Site and Marc Pivot’s Scorned. Scorned, which was filmed in Evansville, is set to have its premiere locally sometime in July. He explains that he first started writing songs in the early 1970s. He was drawn early on to the emerging synthesizer movement, made popular by the progressive rock of the time. When not playing music, he spent his college days working as a DJ at Mount Carmel’s Wabash Valley College.

            In the early part of the 1980s, Wolf was busy experimenting with synthesizers and attending Nashville’s Belmont Music School and the Full Sail Recording Workshop in Orlando, Florida. He also spent this time writing solo songs including 1981’s contest-winner “Ride the Cosmic Wave” and playing keyboards in Evansville-based rock groups Moonrocker and Side Effex, playing various shows around the Midwest and Florida.

            “Evansville had a really big local club scene back then,” he explains.

            In 1987, he packed up and moved out to Los Angeles after some friends invited him out there. Wolf joined the band Tremor shortly after his arrival, with whom he played in various clubs in Los Angeles, including the Roxy, Whiskey a Go-Go, and the Troubador. When not playing music, he worked as an extra through the Central Casting agency and appeared in some major films, including 1992’s Wayne’s World.

            “L.A. was a different scene from Evansville. Bands out there wrote all their own material and rarely played covers. It was a lot of fun, though,” he recalls.

            It shows in photographs on Wolf’s Myspace page. In them, he looks to be the very archetype of 1980’s rock glory, with long hair and skinny jeans. So how did someone like Wolf end up working primarily as a film composer these days?

            It started around 1993. Independent filmmaker James Arnett called Wolf and asked him to write the music for The Tell-Tale Heart, an adaptation of the classic Edgar Allan Poe story. Wolf’s score won second place at that year’s World Fest film awards. In the same year, he took some of his compositions from the Arnett film and other original pieces and released his first album, Sanctuary. Sanctuary went on to sell a modest 2000 copies in Asia.

            Wolf moved back to Illinois not long afterward, in the meantime setting up a deal with record company Statue Records and taking advantage of the new creative opportunities provided by the Internet. Sometime in 1995, Wolf parted ways with Statue and began his own small production company, Wolfymusic. In 1999, his creative efforts culminated in the second album, “Paradox.”

            Wolf took a break from serious production work in the first part of the decade, instead dedicating himself to family life. It wasn’t too long, however, before James Arnett came calling again.

            “He found me on the internet and called me. He’d been looking for me for awhile because he needed another score and really liked what I’d done for him the first time around.”

            Wolf found himself recording music in 2007 for A.I.A. Productions’ full-length picture, Mary Shelley’s ‘The Last Man’. After that, Arnett used more of Wolf’s music for Dead on Site, which premiered in Tuscon, Arizona in May. His most recent work will appear in this month’s premiere of Scorned.

            Wolf is optimistic about his music career and enjoys the quiet life Evansville provides. One thing he wishes, however, is for Evansville’s creative scene to reemerge. He remembers a much bigger creative community during the 1970’s and 1980’s, and wishes the city would work to embrace and foster that creativity again.

            “It’d be great to see a new scene come back,” he says.

            With more people like Robert A. Wolf working in Evansville, there’s a solid chance that it will.

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